This final issue before the American Choral Review transfers to a new home at the National Collegiate Choral Organization features a study of Bach’s use of rhetorical devices in Cantata Ich hatte viel Bekummnernis, BWV 21 and an interview with two singers from the ensemble New York Polyphony.
This edition of the American Choral Review focuses on the discipline and practice of conducting.
The lead article documents Shaw’s early years and his rise as a professional conductor with FredWaring and the Pennsylvanians, as well as his process of developing an understanding of choral music as an art. The issue also includes reviews of the documentary Robert Shaw: Man of Many Voices and a recent recording of Beethoven's Missa Solemnis by the Bach Collegium Japan.
Understanding more about choral conducting as an occupation can help choral conductors plan their careers and choral leaders make better decisions. This report uses data drawn from the survey responses of more than 600 conductors to examine conductors' career paths, training, responsibilities, salaries, and more. The full report highlights both important challenges and reasons to feel confident about the health of the profession, as well as updating and tracking data from Chorus America's first choral conductor survey over a decade ago.
This sample administrative job description can help you define a new or existing role for an executive or managing director.
This detailed succession plan template walks you through the process of selecting a new artistic leader. It offers best-practices, a step-by-step guide and templates for important documents.
SPONSORED CONTENT FROM A CHORUS AMERICA PARTNER
In the upcoming season, The Washington Chorus (TWC) looks not only to meet the challenge of planning in a world dealing with COVID-19, but to do so while welcoming a new incoming artistic director. Eugene Rogers, who takes the artistic helm of TWC while continuing in his role as director of choral activities at the University of Michigan, shared his thoughts with Chorus America on the unique challenges and opportunities ahead for him, his new ensemble, and the choral community.
Several choral music organizations find themselves seeking or transitioning to new artistic leaders at a time when shifting circumstances call on them to consider challenging new directions, not the least of which is the COVID-19 pandemic. In light of these challenges, what are choruses in transition thinking about the kind of leadership they need? How do they manage to find it? How will they and their new artistic directors define and achieve success next season, not to mention seasons beyond?
Expanding its work around issues of equity and inclusion in classical music, the Sphinx Organization has launched EXIGENCE, a new professional vocal ensemble made up of singers of color. What were the impulses that led to the creation of EXIGENCE? Why is this development important to the choral field?