Training/Professional Development

Education, training, and continuing education for conductors, chorus managers, and singers

L. Brett Scott has touched many sides of the choral world in his career so far, and it figures that plenty more is in store. “My association has gone from a symphonic chorus, to research, to a community choir, and now includes a larger choral-orchestral ensemble again,” he says.

Choral conductors and singers share their own practicing best practices

What does it take to get to Carnegie Hall? Or to a memorable choral performance? Everyone knows the answer. But many are the music scores that sit unattended in car trunks between rehearsals. And many are the frustrated choral conductors who wish their singers would put in the time that the music deserves.

“The phenomenon of a gay men’s chorus is a vital part of the musical fabric of our society. It is not a gimmick to draw a crowd. We have always just wanted to put on great concerts – and make a difference while doing it.”

Dominick DiOrio is one of the youngest people ever to be hired on the conducting faculty at the Indiana University Jacobs School of Music. He leads NOTUS, a 30-member auditioned ensemble that specializes in music of the last 50 years. Chorus America talked to DiOrio about his own compositions and his passion for finding and performing the music of contemporary composers.

“More than just waving our hands”

Many choral directors take on administrative responsibility with little formal preparation. Here are strategies to excel in the office and boardroom as well as the concert hall.

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As the profession of chorus management matures, managers are finding new ways into their careers.

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